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Arts Council of Great Britain Ikon Gallery Sean Scully

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Irish artist

Sean Scully
Seanscully 2.JPG
Born (1945-06-xxx) 30 June 1945 (age 76) [one]

Dublin, Ireland[one]

Nationality Irish[2]
Education Croydon College of Art (1965–1968)
Newcastle University (1968–1972)
Carpenter Center for the Visual Arts at Harvard Academy (1972–1973) (graduate fellowship)[3]
Known for Painting, printmaking, sculpture, photography, art and writing
Movement Geometric abstraction and emotional abstraction

Sean Scully RA (born 30 June 1945) is an Irish gaelic-born American-based artist working as a painter, printmaker, sculptor and photographer. His piece of work is held in museum collections worldwide and he has twice been named a Turner Prize nominee. Moving from London to New York in 1975, Scully helped lead the transition from Minimalism to Emotional abstraction in painting, abandoning the reduced vocabulary of Minimalism in favor of a return to metaphor and spirituality in art.

Scully has also been a lecturer and professor at a number of universities and his writing and teachings are collected in the 2016 book, Inner: The Collected Writings and Selected Interviews of Sean Scully.

Early life [edit]

Sean Scully was born in Dublin, Ireland, on xxx June 1945.[i] Four years later his family moved to London where they lived in a working-class part of south London, moving from lodging to lodging for a number of years.[four] By the age of 9, Scully knew he wanted to become an artist, and from the age of xv until he was 17, Scully was apprenticed at a commercial press shop in London equally a typesetter, an experience that greatly influenced the art to come.[5]

From the age of 17 until he turned xx, despite working total-fourth dimension in diverse jobs including graphic design, and messenger, Scully attended evening classes at the Central Schoolhouse of Art, focused on figurative painting.[half-dozen] While working a stint as a plasterer's labourer on the Victoria Station Ballroom, Scully made daily visits to the Tate Milbank to visit Van Gogh'southward Chair (1888), which made an impression on him.[seven] In 1963, at the age of 18, Scully had a chore loading trucks with flattened boxes at a cardboard manufactory.[8] The thought of stacking central to much of his work came from this experience.[ix]

Pedagogy [edit]

In September 1965 Sean Scully, historic period 20, began to study total-fourth dimension at Croydon College of Fine art, London, earlier moving on to Newcastle University in 1968.[10] At Newcastle University, the University Theatre'south production of Samuel Beckett'southward Waiting for Godot fabricated a lasting affect on him.[11] Scully was also influenced by a trip to Kingdom of morocco in 1969, where he became fascinated past the multi-colored stripes locals wove into wool tents and robes.[12] [13] Scully was awarded the Frank Knox Memorial Fellowship in 1972 to attend Harvard University.[14] Information technology was during this first stay in the United states of america that Scully began to experiment with new techniques such as record and spray pigment.[15]

Career [edit]

Early career: 1970–1980 [edit]

Scully's commencement commercial show, at the Rowan Gallery in London, sold out. During this period Scully taught at the Chelsea Higher of Art and Pattern, and Goldsmith'southward, while continuing to paint in his Elephant Lane studio in Rotherhithe. In 1975, at the age of xxx, Scully was awarded a ii-year Harkness Fellowship with which he moved to New York.[sixteen]

In one case in New York he began to develop important friendships with fellow artists such equally Robert Ryman, and others in academic and artistic circles. Scully's response in the 1970s had been to bring the objectives of American Minimalism together with those of Op art, an of import current in Europe, creating works using overlays and "supergrids" that bridged these 2 artistic movements in a new fashion.[17] Once in New York, Minimalism had a stiff influence on his work, and for a few years Scully's palette was reduced to the grayness monochrome 'Black paintings' series.[eighteen]

Scully began working on the series known as The Catherine Paintings in 1979, while sharing his Duane Street studio with his third wife, the creative person Catherine Lee. The idea behind the series was to choose the important painting Scully produced during each yr together, that would and so become part of a drove named after her.[xix] This was the beginning of Sean's ain individual collection of his piece of work.[13]

Departure from Minimalism: 1980–1982 [edit]

Backs and Fronts, 1981, oil on linen and canvas. Kerlin Gallery, Dublin.

Past 1980 Scully considered himself to be at war with the movement of Minimalism in New York and wanted to bring more human elements into his fine art.[20] He made multiple trips to Morocco and Mexico during this fourth dimension, as he considered these trips to have "a straight bearing on what I remember fine art should be doing – which is concentrating on what's interesting, engaging, perverse, and cute about human nature."[21] He later commented that "I had decided that what had been stripped out of painting—i.eastward., the ability to make relationships, to be metaphorical and referential, spiritual, poetic, all those things and aspects of homo nature—had to exist put back in if painting was to go forward."[22] In 1981 the first retrospective of Sean Scully's piece of work was held at the Ikon Gallery in Birmingham.[23] This was also the year that Scully's confidence to withdraw from an adherence to Minimalism became apparent, with the return of color and infinite, and the freehand cartoon of stripes and visible brushstrokes, rather than the difficult lines of record.[24] Scully had a breakthrough with the seminal 1981 painting Backs and Fronts, which had a profound impact in the 1982 exhibition 'Critical Perspectives' at the PS1 Contemporary Art Centre.[25] This was a watershed painting which British conceptual artist Gillian Wearing has said "broke the logjam of American minimalist painting".[26]

Geometric Abstraction: 1982–nowadays [edit]

In 1982 Scully began to work with the gallerist David McKee, an important relationship that lasted for a decade. During the summer of that twelvemonth, Scully started producing pocket-sized multi-panel works on institute pieces of forest while staying in Montauk at the Edward Albee creative person'due south colony. These works were titled Ridge, Plum, and Bear later on the islands that surround Long Island. He besides began applying a combination of rigid geometry and expressive texture and color to larger paintings that yr. A prime case of this was Eye of Darkness, inspired past the 1899 novella of the same name.[18] Scully began collaborating with Mohammad O. Khalil in 1983, this was the showtime time he had collaborated with a printmaker and was the start of a career-long commitment to printmaking.

In 1984, the Museum of Modern Art included Scully in their International Survey of Recent Painting and Sculpture. The following year Scully'southward first American solo museum exhibition was held at the Museum of Art, Carnegie Institute in 1985, and traveled to the Museum of Fine Arts, Boston. Other major museums likewise began to acquire Scully's large-scale paintings, despite the ascendant trend of the fourth dimension tending towards Postmodernism. Scully'south paintings from this period are heavy and physical in terms of both size and aesthetic, and make use of large-scale stretchers.[27]

By 1987, Scully'south work became less circuitous, flatter and smaller in scale, and began to include lighter color palettes kickoff with Pale Fire in 1988. The same year, while experimenting with watercolors on a beach in United mexican states, Scully created the first paradigm that would get an extended meditation on architecture and calorie-free with the Wall of Calorie-free series.[28] In 1989 the Whitechapel Gallery in London held a solo exhibition for Scully, which then traveled to Palacio Velázquez in Madrid and to the Städtische Galerie im Lenbachhaus in Munich. These were Scully's start solo exhibitions in mainland Europe. The fine art critic Robert Hughes' 1989 piece for TIME magazine cemented Scully'southward increasing reputation.[29]

The painting Why and What (Yellow) in 1988 was the first to incorporate an inset element of steel. By 1991 Scully expanded the use of steel, setting oil on linen insets into large steel panels. He also began the regular use of a checkerboard motif at this time, starting time hinted at in his Taped and Hidden Cartoon paintings of the mid 1970s. In 1992, while teaching at Harvard University, Sean Scully revisited Kingdom of morocco to film the BBC documentary The Creative person's Journey: Sean Scully on Henri Matisse, with Matisse having visited Morocco in 1912 - 1913. 1993 saw the commencement exhibition of The Catherine Paintings, at the Mod Art Museum of Fort Worth, Texas. In 1994 he opened a second studio in Barcelona, and he returned to Kingdom of morocco in 1995, to spend more time in the country. Atlas Walls is a portfolio of Scully's photographic works taken during this trip.[30]

In 1995 Scully returned to New York, moving into a large new studio in Chelsea, Manhattan. Chelsea Wall was the first painting to be made there.[31] Scully received a number of invitations to speak at bookish institutions, and participated in the Joseph Beuys lectures on the state of contemporary art in Britain, Europe and the The states, held by the Ruskin Schoolhouse at Oxford University, England. In 1997, Scully's photography was exhibited for the outset time at the Sala de Exposiciones Rekalde in Bilbao, Espana.

Scully participated in a colloquium in conjunction with the exhibition Richard Pousette-Dart at the Metropolitan Museum of Art in 1998. He visited Santo Domingo in 1999, resulting in the photography portfolio Santa Domingo for Nené. That yr, Scully's prints were given a retrospective at the Graphische Sammlung Albertina, in Vienna, Austria, and the Musée du Dessin et de l'Estampe Originale in Gravelines. A catalogue raisonné of his prints from 1969 - 1999 was also published.

2001 - 2013 [edit]

In 2001, the Modernistic Art Museum of Fort Worth acquired the complete Catherine series, 18 paintings that each represent a twelvemonth from the period 1979–1996, which was given a defended room for permanent exhibition in the new Museum building opened in 2002.[27] In 2002 Scully was appointed Professor of Painting at the University of Fine Arts, Munich, a position he held through to 2007. A retrospective exhibition opened in 2004 at the Sara Hildén Art Museum in Tampere, Finland, which travelled to Klassik Stiftung Weimar, in Germany, and the National Gallery of Australia. While in Australia, Scully spent time traveling through the reddish desert interior.

Betwixt 2005 - 2006, Sean Scully's Wall of Low-cal series was displayed at museums around the United states. This began with the exhibition Sean Scully: Wall of Low-cal opened at The Phillips Drove, Washington D.C., and traveled to the Modern Art Museum of Fort Worth, the Cincinnati Art Museum, and finally the Metropolitan Museum of Fine Fine art to peachy acclaim.[32] The same year Scully travelled with a group of students from the Art University in Munich, to Inisheer, an island off the Irish declension. Information technology was here that the Aran portfolio of photographs were taken. In 2006 the Hugh Lane Gallery opened The Sean Scully Room, a dedicated, permanent installation of the artist's work, and the Bibliothèque nationale de France held an exhibition of his prints.[33] Sean Scully: A Retrospective opened in 2007 at the Fundació Joan Miró, Barcelona, and travelled to the Musée d'art moderne (Saint-Étienne), and the Museo d'Arte Contemporanea Roma (MACRO) in Rome.[34] The National Gallery of Art in Washington D.C. invited Scully to requite the Elson Lecture in 2007.[35]

The retrospective exhibition Constantinople or the Sensual Curtained: The Imagery of Sean Scully opened in 2009 at the MKM Museum Küppersmühlefür Moderne Kunst, in Duisburg, Frg, and traveled to the Ulster Museum, Belfast.[36] [37] In 2010 a tour of important early works from the 1980s started at the Centre for Gimmicky Arts, Carlow, Ireland, and so traveled to the Leeds Fine art Gallery, and the Wilhelm-Hack-Museum in Ludwigshafen am Rhein. In 2011 the Chazen Museum of Art opened their new expansion of the museum with a solo exhibition of Scully's eight-function Liliane paintings on aluminum, and other works. Scully opened nine more solo museum exhibitions in 2012, including Notations: Sean Scully at the Philadelphia Museum of Art, every bit well as exhibitions at museums similar MIMA, Kunstmuseum Bern, the Lentos Kunstmuseum in Linz, and IVAM in Valencia, Spain.

Reception in China and new projects: 2014–2017 [edit]

In 2014, Scully opened a new studio space fix in three acres in Tappan, New York, where he continued to extend the Landline series of painting begun in 2000.[38] That aforementioned year, Scully opened xiv solo exhibitions around the globe, including the first major retrospective past a western creative person in Mainland china. The exhibition, entitled Follow the Eye: The Fine art of Sean Scully, opened in Beijing.[39] The exhibition included China Piled-Up, a new monumental sculpture in corten-steel, and traveled from the Shanghai Himalayas Museum to the CAFA Art Museum in Beijing, to critical acclamation.[40] Another outdoor sculpture Boxes Full of Air was commissioned at Chateau La Coste in France.

Landline Orient, 2016. Private collection.

Scully participated in the Venice Biennale for the first time, in 2015, with the solo exhibition Land Sea at the Palazzo Falier in Venice.[41] The Museum Liaunig, in Neuhaus, Austria, opened its new edifice expansion with Sean Scully: Painting as an Imaginative Globe Cribbing.[42] To honor his long-term friendship with art critic Arthur Danto who died in 2013, Scully published the volume Danto on Scully, bringing together the series of 5 essays Danto had written on the creative person over the previous twenty years.[43]

In 2015 Scully completed his restoration of the 10th Church of Santa Cecília de Montserrat in Spain, and opened it to the public. Deputed by the Museum of Montserrat to make a holistic artistic intervention in the sacred infinite, Scully not but permanently installed paintings but worked on site-specific frescoes, and the design of the altar and cross. The chapel is now both a working church, and also the Espai d'Art Sean Scully.[44] Scully was awarded the V Congreso Asociacion Protecturi for his contribution to Spanish religious heritage

In 2016 Scully's second major exhibition in China, Sean Scully: Resistance and Persistence, opened at the Art Museum of the Nanjing University of the Arts, and travelled to the Guangdong Museum and the Hubei Museum in Wuhan.[40] In the same year, as well as solo museum exhibitions in Budweis, Czech Republic, and Valencia, Espana, the artist put together two exhibitions of works from specific early periods in his individual collection, one of works from the 1970s, in an off-site infinite in Ridgewood, Queens with Cheim & Read, and some other of works from the 1980s with Mnuchin Gallery. Inspired by revisiting his before works, Scully began to reemploy techniques such equally spray painting, that he first introduced in the late 1960s.

Over the class of 2015 - 2017, Scully's work expanded in ii particular directions: sculpture and figuration. During this menstruation, Scully began working on sculptural projects, including the Tower serial using various materials such as corten steel, marble, and stainless steel, and the Stack series in both raw and painted steel were introduced. A new series of Block paintings were begun, in which Scully self-referenced his sculpture in paint. This new direction was the focus of the solo exhibition Wall of Lite Cubed at Cheim & Read, NY.[45] Scully also revisited his early exploration in figuration from the late 1960s in a series of figurative paintings titled Eleuthera which was completed betwixt 2015 and 2017. The serial was inspired by Scully'south son Oisin, and was named after the island of Eleuthera in the Bahamas and the feminine Greek adjective ἐλεύθερος (eleútheros), meaning "complimentary".[46]

2018 [edit]

2018 saw Scully have a total of 14 public exhibitions effectually the globe. This included the installation of the monumental sculpture Boxes of Air in the Cuadra San Cristóbal, in Mexico City, forth with paintings installed in the horse stalls of the iconic pink stable block. Other museum shows included: Multimedia Art Museum, Moscow; Hatton and Laing Galleries, Newcastle, United kingdom of great britain and northern ireland; De Pont Museum of Gimmicky Art, Tilburg, Netherlands; Russian Museum, St Petersburg, Russia; Staatliche Kunsthalle Karlsruhe, Germany; Yorkshire Sculpture Park, Britain, among many others.[47]

Opulent Ascension, 2019, sculpture. Basilica of San Giorgio Maggiore, Venice.

In 2019, the exhibition Sean Scully: Bounding main Star opened at The National Gallery, London, showcasing Scully's work alongside works past J. G. W. Turner.[48] On April half dozen, 2019 director Nick Willing's documentary flick Unstoppable. Sean Scully & The Art of Everything aired nationally in the Great britain on BBC Ii. For the 58th Venice Biennale, Scully presented Sean Scully: Homo at the Basilica of San Giorgio Maggiore, an exhibition of recent paintings and a new sculpture titled Opulent Ascension under the dome of the Loftier Renaissance church by Palladio.[49] [50]

Disquisitional reception [edit]

Arthur Danto wrote that "Sean Scully'southward proper name belongs on the shortest of brusk lists of the major painters of our time",[51] continuing that "Scully'due south historical importance lies in the way he has brought the peachy achievement of Abstract Expressionist painting into the gimmicky moment - and in a mode overcome the terms of the paragon that sent painting into exile."[52]

Prizes and awards [edit]

Scully has been a member of Aosdána since 2001, and the Purple University of Arts since 2013. Scully received an Honorary Dr. of Fine Arts degree from both Massachusetts College of Art and the National University of Ireland in 2003, and a Md of Messages degree from Newcastle University.[14] He received an Honorary Doctorate from Miguel Hernández University in 2006 and 2008.

Listing of awards and prizes, including year, association, and upshot
Twelvemonth Honor Event
1970 Peter Stuyvesant Foundation Prize Won
1972 John Moores Painting Prize 2nd place prize
1974 John Moores Painting Prize 4th place prize
1975 Harkness Fellowship Won
1983 National Endowment for the Arts Fellowship Won
Guggenheim Fellowship Won
1989 Turner Prize Nominated
1993 Turner Prize Nominated
2000 Honorary Young man of the London Establish of Arts & Letters Won
2015 Five Congreso Asociacion Protecturi Won
2016 GAC Honorary Laurels[53] Won
Harper'southward Boutique International Artist of the Year Award Won

Other works [edit]

Music [edit]

Scully's mother Holly was a Vaudeville vocaliser, and Sean Scully became heavily influenced by rhythm and dejection in his adolescence. Scully owned and ran an R&B Gild as a teenager in South London, and was briefly in an R&B band with his brother and a friend.[54]

In 2016 the percussionist Billy Martin from the band Medeski Martin & Woods made a performative collaboration with Sean Scully'south monumental corten steel sculpture Boxes of Air at Scully's Tappan studio. Information technology culminated in 'Boxing for Sean', a 6 move percussion limerick performed live outdoors.[55]

In 2019 the duo Merzouga released a 46' sound-composition "The Linguistic communication of Lite - Music to the Piece of work of Sean Scully" (YLE/DLF 2019) featuring the texts and the voice of Sean Scully.[56] Its premiere broadcast was on Dec 3, 2019 at 9pm local fourth dimension on Finnish broadcaster Yleisradio. High german nationwide broadcaster Deutschlandfunk co-produced the piece, the High german circulate is scheduled for February 2020

Writing [edit]

Scully first began writing about fine art and his own work in the 1980s, although he only truly began to include writing as office of his practise from 1996 onwards. 2016 saw the publication of Inner: the collected writings and selected interviews of Sean Scully, by HatjeCantz

Personal life [edit]

Scully became a father at the age of 19, with the nativity of his son Paul on May vii, 1965. Paul later on died in a car accident in 1983 at the age of 18.[57] While at Newcastle Academy, Scully met Rosemary Purnell, a fellow student in the Painting Department, they married in 1971 and later divorced.[19] Scully married artist Catherine Lee in 1978, the 2 divorced in 1998. In 2006, he married creative person Liliane Tomasko, his quaternary wife.[58] Their son Oisin Scully was built-in in 2009.

Public Collections [edit]

United States and South America [edit]

  • Ackland Art Museum, University of North Carolina, Chapel Hill NC
  • Albright–Knox Art Gallery – Buffalo, NY
  • Art Institute of Chicago – Chicago, IL
  • Art Gallery of Ontario - Ontario, Canada
  • The Broad Art Foundation, Los Angeles, CA
  • Carnegie Museum of Art – Pittsburgh, PA
  • Iris & B. Gerald Cantor Eye for Visual Arts, Stanford University - Stanford, CA
  • Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
  • Centro Cultural de Arte Contemporaneo – Mexico City, Mexico
  • Chase Manhattan Bank – New York, NY
  • Chemic Bank – New York, NY
  • Cincinnati Art Museum – Cincinnati, OH
  • Cleveland Museum of Art – Cleveland, OH
  • Contemporary Museum - Honolulu, HI
  • Corcoran Gallery of Art – Washington, D.C.
  • Dallas Museum of Fine art – Dallas, TX
  • David Winton Bong Gallery, List Fine art Center, Chocolate-brown University, Providence, RI
  • Denver Art Museum – Denver, CO
  • Des Moines Art Center – Des Moines, IA
  • De Young Museum - San Francisco, CA
  • Showtime Bank Minneapolis – Minneapolis, MN
  • Fogg Art Museum, Harvard University – Cambridge, MA
  • Ft. Lauderdale Museum of Art - Ft. Lauderdale, FL
  • Glenstone – Potomac, Doctor
  • Guggenheim Museum – New York, NY
  • Hirshhorn Museum and Sculpture Garden – Washington, D.C.
  • High Museum of Art – Atlanta, GA
  • Hood Museum of Art – Hanover, NH
  • Kemper Museum of Gimmicky Fine art, Kansas Urban center, MO
  • Los Angeles Canton Museum of Art - Los Angeles, CA
  • Modernistic Art Museum of Fort Worth – Fort Worth, TX
    • Catherine Series
  • BNY Mellon Center – Pittsburgh, PA
  • Metropolitan Museum of Art – New York, NY
  • Miami Art Museum - Miami, FL
  • Mount Holyoke College Art Museum, South Hadley, MA
  • Museo de Arte Contemporaneo – Caracas, Venezuela
  • Museo de Arte Contemporaneo – Monterrey, Mexico
  • Museo de Arte Moderno - Col. Bosques de Chapultepec, Mexico
  • Museo de Arte Moderno – United mexican states City, United mexican states
  • Museum of Fine Art, Boston - Boston MA
  • Museum of Fine Arts, Houston– Houston, TX
  • Museum of Modernistic Art – New York, NY
  • National Gallery of Art – Washington, D.C.
    • eight.10.89 (1989)
  • Orlando Museum of Art – Orlando, FL
  • Paine Webber Group, Inc. – New York, NY
  • Philip Morris, Inc. – New York, NY
  • The Phillips Collection - Washington, D.C.
  • Rose Art Museum, Brandeis University, Waltham, MA
  • Santa Barbara Museum of Fine art – Santa Barbara, CA
  • Seattle Museum of Art, Seattle, WA
  • Sheldon Memorial Fine art Gallery and Sculpture Garden, University of Nebraska – Lincoln, NE
  • Smith Higher Museum of Art – Northampton, MA
  • Smithsonian American Fine art Museum, Washington, DC
    • Works in the SAAM drove
  • Snite Museum of Art – Notre Matriarch, IN
  • San Diego Museum of Fine art - San Diego, CA
  • Saint Louis Art Museum – Saint Louis, MO
  • Van Cliburn Foundation, Fort Worth, TX
  • Walker Art Center – Minneapolis, MN
  • Whitney Museum of Modern Art, New York, NY
  • Yale Academy Fine art Gallery – New Haven, CT

Europe [edit]

  • Abbot Hall Art Gallery – Kendal, England
  • Academy of Fine Arts, Munich, Germany
  • Albertina – Vienna, Austria
  • Arts Council of Great Britain – London, England
  • AXA Belgique, Bruxelles, Kingdom of belgium
  • Banque Européenne d'Investissement – Luxembourg
  • BAWAG, Vienna, Austria
  • Bavarian Country Painting Collections – Munich, Federal republic of germany
  • Bibliothèque nationale de French republic - Paris, France
  • Birmingham Museum of Art – Birmingham, England
  • British Council – London, England
  • Centre national des arts plastiques, Paris, France
  • Ceolfrith Art Eye – Sunderland, England
  • Château Lynch-Bages - Pauillac, France
  • Museo Chillida-Leku, - Hernani, Spain
  • Coleccion Conei, Barcelona, Catalonia, Spain
  • Consejería de cultura - Santander, Spain
  • Gimmicky Arts Society – London, England
  • Council of National Academic Awards – London, England
  • Crawford Art Gallery – Cork, Republic of ireland
    • East Coast Light I (1973)
  • Center de la gravure et de l'image imprimee, La Louvière - Bruxelles, Kingdom of belgium
  • Daimler Art Collection – Stuttgart, Germany
  • Deutsche Bank - London, Great britain
  • DZ Bank AG Kunst sammlung / KMMM - Frankfurt, Germany
  • Eastern Arts Association – Cambridge, England
  • Ecole d'Arts Plastiques - Châtellerault, France
  • Espace de l'Art Concret - Mouans-Sartoux, French republic
  • EMMA, ESPOO, Museum of Mod Art – Helsinki, Finland
  • Fitzwilliam Museum – Cambridge, England
  • La Fondation Edelman – Lausanne, Switzerland
  • Fondation Urvasco – Vittoria, Spain
  • Foundation Stiftelsen Focus - Boras, Sweden
  • CaixaForum Barcelona – Barcelona, Catalonia, Kingdom of spain
  • Fundació Allorda-Derksen, Barcelona, Catalonia, Spain
  • Fundación Caixa Galicia - La Coruña, Spain
  • Gallery of Modernistic Fine art László Vass Collection - Veszprém, Hungary
  • Gertsev Collection, Moscow, Russia
  • Hôtel des Arts - Toulon, France
  • Hunterian Art Gallery – Glasgow, Scotland
  • Hugh Lane Gallery – Dublin, Republic of ireland
    • Works in the Hugh Lane collection
  • Institut Valencià d'Fine art Modernistic (IVAM) – València, Spain
  • Irish Museum of Modern Art (IMMA) – Dublin, Ireland
  • Kunsthalle Bielefeld – Bielefeld, Germany
  • Kunstmuseum Lentos Linz, Linz, Austria
  • Kunstsammlung Nordrhein-Westfalen – Düsseldorf, Germany
  • Kunsthaus Zürich – Zürich, Switzerland
  • Kunst und Museumsverein Wuppertal – Wuppertal, Germany
  • Laing Art Gallery – Newcastle-Upon-Tyne, England
  • László Vass Collection, Veszprém, Hungary'
  • Leicestershire Educational Authority – Leicester, England
  • Louisiana Museum of Modern Art – Humlebaek, Denmark
  • The Maramotti Collection, Reggio-Emilia, Italian republic
  • Manchester Art Gallery– Manchester, England
  • Museum Folkwang – Essen, Deutschland
  • Musée d'Art Contemporain du Val-de-Marne, Vitry-sur-Seine, France
  • Musée d'art moderne (Saint-Étienne) – Saint-Etienne, France
  • Musee du Dessin et de l'Estampe Originale – Gravelines, France
  • Musée Jenisch - Vevey, Switzerland
  • Musee National d´Art Moderne, Centre Georges Pompidou - Paris, France
  • Musee de Roland-Garros - Paris, France
  • Museo d'Arte Moderna di Bologna (MAMBO), Bologna, Italy
  • Museo Nacional Centro de Arte Reina Sofía – Madrid, Spain
  • Barcelona Museum of Contemporary Art - Barcelona, Catalonia, Spain
  • Mumok, Stiftung Ludwig – Vienna, Republic of austria
  • Museum Pfalzgalerie – Kaiserslautern, Germany
  • National Museum Cardiff – Cardiff, Wales
  • Northern Arts Association - Newcastle-Upon-Tyne, England
  • Norwich Castle, Norwich, England
  • Open Museum, Environmental & Heritage Resource Heart, Leicestershire, England
  • Pier Arts Middle – Orkney, Scotland
  • Ruhr University Bochum - Bochum, Federal republic of germany
  • Saastamoisen Saatio - Helsinki, Finland
  • Sala Rekalde - Bilbao, Spain
  • Sammlung Essl - Vienna, Austria
  • Sara Hilden Art Museum - Tampere, Finland
  • Staatsgalerie Stuttgart – Stuggart, Germany
  • Staatliche Museen Kassel, Neue Galerie - Kassel, Deutschland
  • Staatliche Graphische Sammlung München, Munich, Germany
  • Lenbachhaus – Munich, Germany
  • Tate Modern – London, England
    • Works in the Tate collection
  • The UBS Art Collection – Zurich/Basel, Switzerland
  • Ulster Museum – Belfast, Northern Ireland
  • Northumbria Academy, Newcastle, England
  • Victoria and Albert Museum – London, England
  • Von der Heydt Museum, Wuppertal, Germany
  • Whitworth Art Gallery – Manchester, England
  • Willy Michel Collection, Museum Franz Gertsch, Burgdorf, Switzerland
  • ZKM Center for Fine art and Media Karlsruhe (ZKM) – Karlsruhe, Germany
  • University of Limerick – Limmerick, Ireland

Australia [edit]

  • Art Gallery of New South Wales – Sydney, Australia
  • National Gallery of Australia – Canberra, Australia
  • National Gallery of Victoria – Felton Heritance – Melbourne, Commonwealth of australia
  • Power Establish of Contemporary Art – Sydney, Australia

Japan [edit]

  • Bridgestone Museum of Art, Ishibashi Foundation - Tokyo, Japan
  • Nagoya Urban center Fine art Museum - Nagoya
  • Tokyo International Forum - Tokyo

Bibliography [edit]

Selected works near Scully [edit]

List of works well-nigh Sean Scully showing year and language of publication, and publisher
Yr Title Writer Publisher
1990 Sean Scully
  • English language
 Maurice Poirier Hudson Hills Press
1991 Sean Scully: Prints from the Garner Tullis Workshop
  • English
 David Carrier Garner Tullis
2004 Sean Scully
  • English
 David Carrier Thames and Hudson
The Color of Time. The Photographs of Sean Scully
  • English
 Arthur Danto

Mila Finemane

Edward Lucie-Smith

Steidl
2006 Sean Scully
  • French
 Philippe Monsel Éditions Cercle D'Fine art
2007 Sean Scully
  • Spanish
 Pilar Escanerode Miguel Thames and Hudson
Glorious Dust
  • English
 John Yau Steidl
2009 Kunstwerkstatt Sean Scully
  • German
 Helmut Friedel Prestel Verlag
2015 Danto on Scully
  • English
 Daniel Herwitz and Arthur Danto HatjeCantzVerlag/Cheim and Read
2017 'Painting Earns Its Stripes' and other essays
  • English/Chinese
 Arthur Danto Shanghai Fine Arts Publisher

Selected works past Sean Scully [edit]

Listing of works by Sean Scully showing yr and language of publication, co-authors, and publisher
Year Title Co-author(s) Publisher
1998 Mark Rothko: Corps de Lumière
  • French
  • 31 pages
 L'Échoppe
2006 Sean Scully: Resistance and Persistence: Selected Writings
  • English
 Florence Ingleby Merrell Publishers
2007 Sean Scully: Walls of Aran
  • English
 Colm Tóibín Thames and Hudson
Sean Scully: Cuerpos de luz/Bodies of Light
  • English/Castilian
 Fundación Juan March
2008 Sean Scully: La surface peinte
  • French
 Daniel Lelong Éditeur
2016 Inner: The Collected Writings and Selected Interviews of Sean Scully
  • English
 Kelly Grovier Hatje Cantz Verlag
2019 Sean Scully: Walls of Aran, Compact Edition
  • English
 Colm Tóibín Thames and Hudson

Solo & two person exhibition catalogues [edit]

Year Author Exhibition Publisher
1975 William Feaver Sean Scully. Paintings 1974 La Tortue Gallery, Santa Monica
1981 Joseph Masheck, Sam Hunter Sean Scully. Paintings 1971-1981 Ikon Gallery, Birmingham
1985 John Caldwell, David Carrier, Amy Lighthill Sean Scully Museum of Art, Carnegie Constitute
1986 Joseph Masheck Sean Scully. Paintings 1985-1986 David McKee Gallery
1987 Pamela Auchincloss Sean Scully. Monotypes from the Garner Tullis Workshop Pamela Auchincloss Gallery, New York
Mari Rantanen Sean Scully/Harvey Quaytman Helsinki Festival, Helsinki
Susanne Lambrecht Sean Scully Galerie Schmela/Mayor Rowan Gallery, Düsseldorf/London
1988 Neil Benezra Sean Scully Fine art Institute of Chicago, Chicago
John Loughery Sean Scully Fuji Television Gallery, Tokyo
1989 Sean Scully. Paintings 1987-1988 David McKee Gallery, New York
Carter Ratcliff Sean Scully. Paintings and Works on Paper 1982-88 Whitechapel Gallery, London
1990 Sean Scully. Paintings 1989-1990 David McKee Gallery, New York
Sean Scully. Monotypes from the Garner Tullis Workshop
Sean Scully Galerie De France, Paris
Sean Scully/Donald Sultan: Abstraction/Representation Stanford Academy Museum of Art, Stanford
1991 Carter Ratcliff Sean Scully Jamileh Weber Gallery, Zurich
1992 Sean Scully. Woodcuts Garner Tullis, New York
Paul Bonaventura Sean Scully Waddington Custot, London
1993 Carter Ratcliff, Arthur Danto, Steven Henry Madoff Sean Scully. The Catherine Paintings Modern Art Museum of Fort Worth, Fort Worth
Armin Zweite Sean Scully. Paintings and Works on Newspaper Galerie Bernd Klüser, Munich
1994 Demetrio Paparoni Sean Scully. The light in the darkness Fuji Television Gallery, Tokyo
Francisco Jarauta Sean Scully. Obragráfica 1991-1994 Galeria DV, San Sebastian
1995 Jean Frémon Sean Scully. "Place." Galerie Lelong, Paris
Hans-Michael Herzong Sean Scully. The Catherine Paintings Kunsthalle Bielefeld, Bielefeld
Enrique Juncosa Sean Scully Waddington Galleries, London
Ned Rifkin, Victoria Combalia, Lynne Cooke, Armin Zweite Sean Scully. Twenty Years, 1976-1995 High Museum of Art, Atlanta
Ned Rifkin Sean Scully. Twenty Years, 1976-1995 Hirshhorn Museum and Sculpture Garden, Washington DC
Bernd Klüser and Sean Scully Sean Scully. The Beauty of the Real Gallerie Bernd Klüser, Munich
1996 Hans-Michael Herzog Sean Scully. "Catherine Paintings" aquarelles Casino Luxembourg, Luxembourg
Victoria Combalia and Engrique Juncosa Sean Scully Galleria Carles Taché, Barcelona
Demetrio Paparoni, Sean Scully Sean Scully. Obra Gràfica Recent Galeria D'art, Barcelona
Danilo Eccher, David Carrier, Hans-Michael Herzog Sean Scully Galleria d'Arte Moderna, Milan/Charta, Bologna/Milan:
Jean-Louis Schefer, Xavier Girard, Arthur Danto Sean Scully Galerie nationale du Jeu de Paume, Paris
Ned Rifkin, Victoria Combalia, Lynne Cooke, Armin Zweite Sean Scully. Vintanys, 1976-1995 Fundació la Caixa, Barcelona
Sean Scully. ZwanzigJahre, 1976-1995 Schirn Kunsthalle, Frankfurt
Michael Semff, Arthur Danto, and Mario-Andreas von Lüttichau Sean Scully. Works on Newspaper Staatliche Graphische Sammlung München, Munich
1997 Marker Glazebrook and Irving Sandler Sean Scully. Paintings Manchester Fine art Gallery, Manchester
Armin Zweite Sean Scully Galeria DV, San Sebastian
Francisco Jarauta, Kevin Power, Jean-Louis Schefer Sean Scully Sala de Exposiciones REKALDE, Bilbao
Jean Frémon Sean Scully Galerie Lelong, Paris
1998 Francisco Jarauta Sean Scully Galería Antonia Puyó, Zaragoza
Jean Frémon Échiquier du rêve Fifty'Échoppe, Paris
Jérôme Sans Lawrence Carroll and Sean Scully. Lawing Gallery, Houston
Sean Scully Galerie Bernd Klüser, Munich
Helmut Friedel, Hans-Michael Herzog Sean Scully BAWAG, Vienna
Sean Scully Galerie Haas and Fuchs, Berlin
1999 Edward Lucie-Smith, Hans-Michael Herzog Sean Scully South London Gallery, London
John Yau Sean Scully Galerie Lelong, Paris
John Yau, Hans-Michael Herzog Sean Scully. New Paintings and Works on Paper Danese/Galerie Lelong, New York
Sean Scully, Federico García Lorca, Bernd Klüser Sean Scully. Barcelona Paintings and Recent Editions Galerie Bernd Klüser, Munich
Kevin Power Sean Scully Kerlin Gallery, Dublin
Victoria Martino, Julia Klüser Sean Scully. Prints: Catalogue Raisonné 1968-1999 Galerie Lelong/Galerie Bernd Klüser, Munich
2000 Francisco Jarauta Sean Scully Galeria Carles Taché, Barcelona
Julia Klüser Sean Scully. Estampes 1983-1999 Musée des Beaux-Arts de Caen, Caen
2001 Sean Scully Sean Scully. Cuaderno de Artista Matador, Madrid
Daniel Abadie Sean Scully. Calorie-free to Night Galerie Lelong, Paris
Armin Zweite, Bernd Klüser, Francisco Jaraunta, Hans-Michael Herzog, Maria Müller Sean Scully. Paintings Pastels Watercolors Photographs 1990-2000 Kunstsammlung Nordrhein-Westfalen, Düsseldorf
Karin Hennig Sean Scully Künstler, München
Arthur Danto Sean Scully. Calorie-free and Gravity Knoedler and Company, New York
Sean Scully Coming and Going: A Kata Flick Study Center, Harvard Academy, Cambridge
Michael Auping Sean Scully. Wall of Low-cal/Muro de Luz Museo de Arte Contemporáneo de Monterrey
2002 Armin Zweite Sean Scully: Óleos Pasteles Acuarelas Fotografías Institut Valencià d'Art Modern, Valencia:
Ronaldo Brito Sean Scully. Wall of Lite Centro de Arte Hélio Oiticica, Rio de Janeiro
Fernando Francés Sean Scully Cámera De Comercio De Cantabria, Santander
Ulrich Bischoff Sean Scully zu Gast in der Galerie Neue Meister Galerie Neue Mesiter, Dresden
2003 Maria Lluïsa Borràs i Gonzàlez Sean Scully Galeria Carles Taché, Barcelona
Kevin Power Sean Scully: Wall of Light, Figures Timothy Taylor Gallery, London
Gilles Altieri, Pierre Wat, Francisco Jarauta, Hans-Michael Herzog Sean Scully Hôtel des Arts, Toulon
Timo Vuorikoski, Donald Kuspit, Jürgen Habermas Sean Scully Sara Hildén Art Husem, Tampere
2004 Michael Peppiatt Sean Scully. Wintertime Robe Galerie Lelong, Paris
Florian Steinberg, Wilhelm Christoph Alert Sean Scully and John Groom Galerie 422, Gmunden
M. J. Balsach Sean Scully. Dedicado a Federico García Lorca Casa, Museo Federico García Lorca, Granada
Brian Kennedy, Jörg Hutter, Timo Vuorikoski, Arthur Danto, Jürgen Habermas, Donald Kuspit, Liliane Tomasko, Shaune A. Lakin Sean Scully. Trunk of Light National Gallery of Commonwealth of australia, Canberra
Enrique Juncosa, Jürgen Habermas, Kevin Power Tigresen el jardín/Tigers in the garden Centro José Guerrero, Granada
2005 Sean Scully Sean Scully Ingleby Gallery, Edinburgh
William Feaver Sean Scully. Paintings and Works on Newspaper Abbot Hall Fine art Gallery/Lakeland Arts, Kendal
Stephen Bennett Phillips, Michael Auping, Anne 50. Strauss Sean Scully. Wall of Light The Phillips Collection, Rizzoli/Washington DC/New York
Victoria Combalia, Lowery Stokes Sims Sean Scully. Para García Lorca Sala de Exposiciones Acala 31, Madrid
Marianne Heinz, Liliane Tomasko Sean Scully. Malerie: kleine Formate Staatliche Museen, Kassel
Mia Fineman Sean Scully. Fotografías Galeria Carles Taché, Barcelona
2006 John Yau Sean Scully. Recent Paintings Fifty.A. Louver, Venice
Uwe Wieczorek Sean Scully. Die Architektur der Farbe/The Compages of Color Kunstmuseum Principality of liechtenstein, Vaduz
Sue Hubbard Sean Scully Timothy Taylor Gallery, London
2007 Danilo Eccher, Lorand Hegyi, Maria Lluïsa Borràs i Gonzàlez, Donald Kuspit Sean Scully: A retrospective Fundació Joan Miró, Barcelona/Thames and Hudson, London
2008 Sue Hubbard Sean Scully. La surface peinte Galerie Lelong, Paris
Brian Kennedy Sean Scully. The Fine art of the Stripe Hood Museum of Art, Dartmouth College, Hanover
Sean Scully, Brian Kennedy Sean Scully. The Fine art of the Stripe. Exhibition Guide
Looking at Sean Scully's Paintings.
2009 Susanne Kleine, Walter Smerling Sean Scully. Konstantinopleoder Die versteckteSinnlichkeit. Die Bilderwelt von Sean Scully Museum Küppersmühle, Munich
Paul Köser Sean Scully Museum Küppersmühle, Duisburg
László Hegyeshalmi, Walter Storms, Helmut Friedel Sean Scully. Emotion and Structure House of Fine Arts/Mod Gallery- László Vass Collection/Walter Storms Gallery, Veszprém/Munich
Tiffany Bell Sean Scully Edizioni Charta, Milan
Hans-Michael Herzog, Mauricio Sotelo, Sean Scully, Florian Steininger Sean Scully Galerie Carles Taché, S. Fifty., Barcelona
2010 Tanja Pirsig-Marshall, Arthur C. Danto and Armin Zweite Sean Scully Works from the 1980s VISUAL Centre for Contemporary Fine art and the George Bernard Shaw Theater, Carlow/Leeds Art Gallery
Richard Ingleby Sean Scully Iona Ingleby Gallery, Edinburgh
David Cohen Sean Scully Timothy Taylor Gallery, London
Hans Albrecht Lusznat, Björn Kurt Sean Scully: Art Comes from Demand Sisyphos Film München, München: DVD/xc min.
2011 Reinhard Spieler, Tanja Pirsig-Marshall, Arthur Danto, Armin Zweite Sean Scully Werkeaus den 1980er Jahren Wilhelm-Hack-Museum, Ludwigshafen
Lenore D. Miller, Stephen Bennett Phillips Sean Scully: Works on Paper Luther West. Brady Art Gallery, George Washington University, Washington DC
Kelly Grovier Sean Scully: Paintings and Watercolors. Chazen Museum of Art, Madison
Sean Scully, Kelly Grovier Can Mal/Cut Ground Kerlin Gallery, Dublin
2012 Joanna Kleinberg, Brett Littman Sean Scully: Change and Horizontals Drawing Center, New York
Matthais Frehner, Annick Haldemann, Brigitte Reutner Sean Scully. Greyness Wolf-Retrospektive Museum of Fine Arts, Bern
Oscar Humphries, Kelly Grovier, Ben Luke, and Sean Scully Sean Scully: Doric Oliver Woods, London
Kosme de Barañano, Kelly Grovier Sean Scully: Light of the South TF Editores, Madrid
Lóránd Hegyi, Eunmi Lee Sean Scully: The Evocative Capacity of Painting Wooson Gallery, Daegu
2013 Sean Scully The Verey Gallery, Eton Higher, Windsor
Andrea Leventis Sean Scully: Works from the 70s Timothy Taylor Gallery, London
Joanna Kleinberg, Brett Littman, Colm Tóibín, Peter Benson Miller, Maria Giuseppina Di Monte Modify and Horizontals Galleria Nazionale d'Arte Moderna, Rome
Sean Scully, Gregory Perry, Simon Martin Triptychs. Sean Scully Pallant House Gallery, Chichester
John Yau Sean Scully. Night and Day Cheim & Read
2014 Jean Frémon, Kelly Grovier, Christos Paridis Sean Scully. Doric Galerie Lelong, Paris
Christopher Lewis, Kelly Grovier, Jacqueline Thalmann Sean Scully Encounters: A New Master among Old Masters Christ Church Moving picture Gallery, Oxford
Kelly Grovier, Richard Williams Sean Scully: Kind of Red Timothy Taylor Gallery, London
Sean Scully, Beate Reifenscheid, Marc O'Sullivan Sean Scully. Figure/Abstract Ludwig Museum, Berlin
Sean Scully, Philip Dodd, Ding Yi, Wang Huangsheng, Arthur Danto, Jürgen Habermas, John Yau Follow the Centre. The Art of Sean Scully: 1964-2014 Shanghai Himalayas Museum/CAFA Art Museum, Beijing
Sean Scully Sean Scully. People's republic of china Piled Up. Sculpture Spec Timothy Taylor Gallery, London
2015 Jacopa Crivelli Viscont, Philip Dodd, Sean Scully Sean Scully: 1974-2015 Pinacoteca practice Estado de São Paulo, São Paulo
Sean Scully, Danilo Eccher, Kelly Grovier, Ben Luke, Hans-Ulrich Obrist Sean Scully Country Sea Venice Biennale, Italy
Declan Long Sean Scully: HOME Kerlin Gallery, Dublin
Sean Rainbird, Kelly Grovier, Lochlann Quinn Sean Scully National Gallery of Ireland, Dublin
Kelly Grovier, Bono, Reinhard Spieler, Sean Scully Sean Scully: Mason of the Soul Hatje Cantz Verlag, Germany
Peter Baum Sean Scully. MalereialsWeltaneignung Museum Liauning, Neuhaus, Republic of austria
Kelly Grovier Sean Scully Different Places Château La Coste, Kerlin Gallery, Dublin
2016 Sean Scully, Philip Dodd Sean Scully: Resistance and Persistence- Paintings 1967-2015 London and New York Nanjing Academy of the Arts/Guangdong Museum of Fine art/Hubei Museum of Art
Javier Molins Scully and Tomasko Fundación Bancaja, Kingdom of spain
Robert Mnuchin, Sukanya Rajaratnam, Michael McGinniss Sean Scully. The Eighties Mnuchin Gallery, New York
Daniel Abaide Sean Scully. Metal Galerie Lelong, Paris
Timothy Taylor Sean Scully. Horizon Musumeci S. p. A., Italy
2017 Sean Scully, Liliane Tomasko, Florian Steininger, Valeria Waibel beide|both: Sean Scully and Liliane Tomasko. Kustwerk Sammlung Klein, Deutschland
John Cheim, Pac Pobric, Elle Robinson Sean Scully Cheim & Read
Josep M Soler, Mercè Conesa, Francesc Xavier Altés I Aguiló, Eduard Sánchez, Xavier Guitart Tarrés, Albert Mercadé, Daniel Giralt-Miracle Santa Cecília de Montserrat. Del Segle X A Sean Scully Publicacions de l'Abadia de Montserrat, Barcelona
Kelly Grovier, Evgenia Petrova, Olga Sviblova Sean Scully. Facing East Russian Museum, Saint petersburg
2018 Sean Scully, Kelly Grovier, Daniel Garza-Usabiaga, Oscar Humphries Sean Scully, San Cristóbal Oscar Humphries, San Cristóbal
Sukanya Rajaratnam Sean Scully. Wall of Calorie-free Mnuchin Gallery, New York
Sean Scully, Frances Spalding, Edward Lucie-Smith, William Feaver, Robert C. Morgan Sean Scully. 1970 Laing Art Gallery and Hatton Gallery/Walker Art Gallery
Kirsten Claudia Voigt, Tanja Pirsig-Marshall Sean Scully Vita Duplex Staatliche Kunsthalle Karlsruhe/Museum für Kunst und Kultur, Münster
Alfredo Cramerotti, Sean Scully Standing on the Edge of the Earth: Sean Scully Hong Kong Arts Centre, Hong Kong
Sinéad Morrissey Crossings: Poets reply to the Art of Sean Scully Newcastle Centre for the Literary Arts, Newcastle University
Rudi Fuchs, Kelly Grovier, Declan Long Sean Scully: Landlines and other recent works, De Pont Museum of Gimmicky Art,
Melissa Chiu, Patricia Hickson, Kelly Grovier, Stéphane Aquin Sean Scully: Landline Hirshhorn Museum and Sculpture Garden, Smithsonian Books
Harry Blain, Alexander Borovsky, Ben Luke Sean Scully: Uninsideout Blain Southern, London
Marla Price Sean Scully: Catalogue Raisonée of the Paintings, Book II, 1980-1989 Modern Art Museum of Fort Worth in association with Hatje Cantz
2019 Justus Kewenig, Jon Wood, Kirsten Voigt, Sean Scully, Clare Lilley, Peter Murray Sean Scully. Sculpture HatjeCantz
Carmelo Grasso, Norberto Villa, Kelly Grovier, Javier Molins Sean Scully. Human Abazzia di San Giorgio Maggiore, Skira
Klaus Albrecht Schröder, Werner Spies, Sean Scully, Elizabeth Dutz, Kelly Grovier Sean Scully: Eleuthera Albertina/Kerber Art Verlag
Anna Bernardini, Kelly Grovier, Marta Spanevello Sean Scully: Long Light FAI Villa Panza, Magonza
Daniel F. Herrmann, Colin Higgins Sean Scully at the National Gallery: Bounding main Star National Gallery Company, London
Alcalde de Malaga, Helena Juncosa, Sean Scully, Werner Spies Sean Scully: Eleuthera Centro de Arte Contemporaneo de Malaga

Quotes [edit]

  • "Art, especially abstraction: has to be a moral deed. If not it'southward likely to fall into bed with decoration."[59]
  • "Why stripes? Considering they can be anything. And they can be annihilation considering they are cipher. To make nothing into something is more interesting that making something into something else. The association with the devil notwithstanding"[lx]
  • "Artistic civilization, to me, is like a huge rug that is constantly folded and unfolded past us. Every time it's turned over, turned out, unfolded: information technology shows something new or something overlooked that at present seems new."[61]

References [edit]

  1. ^ a b c Hubbard, Sue (17 August 2007). "Scully, Sean: Wall of Calorie-free Desert Night (1999)". The Independent. Archived from the original on 16 January 2011. Retrieved 2 July 2010.
  2. ^ "Sean Scully: Biography". Sean Scully.
  3. ^ João Ribas (20 October 2005). "Sean Scully". ARTINFO. Retrieved 29 April 2008.
  4. ^ William Melt (7 April 2016). "Edifice blocks: How Sean Scully conquered China". BBC Arts. London. Retrieved viii April 2019.
  5. ^ "Making his mark on the fine art earth". www.irishexaminer.com. 12 April 2013. Retrieved 15 December 2019.
  6. ^ "Biography -Sean Scully". Sean Scully Studio . Retrieved 17 Dec 2019.
  7. ^ "Sean Scully". Porto Venere . Retrieved xv December 2019.
  8. ^ Dunne, Aidan. "Artist Sean Scully: 'Information technology'south well-nigh stacking, putting things in social club'". The Irish Times . Retrieved xv December 2019.
  9. ^ Spence, Rachel (21 September 2018). "Sean Scully: 'England is a state that basically doesn't understand fine art'". Financial Times . Retrieved 15 December 2019.
  10. ^ Sue Feay (v April 2019). "Unstoppable: Sean Scully and the Fine art of Everything, BBC2 — a portrait of abstruse fine art's great showman". Financial Times. London. Retrieved 8 April 2019.
  11. ^ "Sean Scully - Newcastle University". www.ncl.air conditioning.uk . Retrieved 15 Dec 2019.
  12. ^ Danto, Arthur Coleman (2007). Unnatural Wonders: Essays from the Gap Betwixt Art and Life. Columbia University Press. ISBN978-0-231-14115-4.
  13. ^ a b "Seeing Stripes: Sean Scully'southward "Catherine" Series | Modern Fine art Museum of Fort Worth". www.themodern.org . Retrieved 15 December 2019.
  14. ^ a b "Sean Scully | Artists | Lisson Gallery". www.lissongallery.com . Retrieved xv December 2019.
  15. ^ Grovier, Kelly (7 December 2015). Art Since 1989 (World of Art). Thames & Hudson. ISBN978-0-500-77294-2.
  16. ^ "Sean Scully - Bio". American Art - The Philips Drove . Retrieved 15 Dec 2019.
  17. ^ The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980s. Penn State Printing. 1994. p. 250. ISBN978-0-271-04297-eight.
  18. ^ a b Pobric, Pac (May 2015). "Sean Scully: THE WANDERER" (PDF). The Art Newspaper.
  19. ^ a b "Seeing Stripes: Sean Scully'due south "Catherine" Series | Modernistic Art Museum of Fort Worth". www.themodern.org . Retrieved 17 December 2019.
  20. ^ Scully, Sean (2016). Inner : the nerveless writings and selected interviews of Sean Scully. p. 290. ISBN978-three-7757-4164-4. OCLC 994772412.
  21. ^ Archived at Ghostarchive and the Wayback Machine: Sean Scully on Henri Matisse (14 June 1992). Artists' Journeys (Video). BBC Two.
  22. ^ Scully, Sean (2016). Inner : the collected writings and selected interviews of Sean Scully. p. 41. ISBN978-iii-7757-4164-iv. OCLC 994772412.
  23. ^ "Sean Scully". Cristea Roberts Gallery . Retrieved 15 December 2019.
  24. ^ Lewis, Jo Ann (xviii June 1995). "SEAN SCULLY'S MANY-SIDED RECTANGLES". Washington Postal service. ISSN 0190-8286. Retrieved 17 Dec 2019.
  25. ^ The Aesthete in the Urban center: The Philosophy and Practice of American Abstruse Painting in the 1980s. Penn State Press. 1994. p. 262. ISBN978-0-271-04297-8.
  26. ^ "Gillian Wearing picks her acme art, pattern and compages events - DesignCurial". www.designcurial.com . Retrieved fourteen December 2019.
  27. ^ a b Modern Art Museum of Fort Worth. Third Millennium Information Ltd. 2002. p. 157. ISBN978-ane-903942-fourteen-7.
  28. ^ Marter, Joan M. (2011). The Grove Encyclopedia of American Fine art. Oxford University Printing. ISBN978-0-19-533579-eight.
  29. ^ Hughes, Robert (14 August 1989). "Art: Earning His Stripes". Time. ISSN 0040-781X. Retrieved 17 December 2019.
  30. ^ "'Light from the South' an exhibition by Sean Scully, inspired by Alhambra and Kingdom of morocco". Islamic Arts Magazine . Retrieved 17 Dec 2019.
  31. ^ "Philadelphia Museum of Fine art - Exhibitions - Notations: Sean Scully". www.philamuseum.org . Retrieved 17 December 2019.
  32. ^ Glueck, Grace (29 September 2006). "Sean Scully: Wall of Light - Art - Review". The New York Times. ISSN 0362-4331. Retrieved 17 Dec 2019.
  33. ^ Dunne, Aidan. "Art in Focus: Landline Gray (2015) by Sean Scully". The Irish Times . Retrieved 17 December 2019.
  34. ^ Scully, Sean; Eccher, Danilo; Kingdom of spain), Fundació Joan Miró (Barcelona; Saint-Etienne, Musée d'art moderne; Roma, Museo d'arte contemporanea (2007). Sean Scully: a retrospective. Thames & Hudson. ISBN9780500093382.
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  37. ^ Dunne, Aidan. "Constantinople, or The Sensual Concealed: The Imagery of Sean Scully". The Irish gaelic Times . Retrieved 17 December 2019.
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  43. ^ Danto, Arthur C. (2015). Danto on Scully. Dap-distributed Art. ISBN978-iii-7757-3963-4.
  44. ^ Sharp, Rob (30 June 2015). "Sean Scully Fills a Castilian Monastery With Bursts of Colour". The New York Times. ISSN 0362-4331. Retrieved 17 December 2019.
  45. ^ Goodman, Jonathan (1 May 2017). "Sean Scully Wall of Light Cubed". The Brooklyn Rail . Retrieved 17 December 2019.
  46. ^ Grovier, Kelly. "Art in the 2010s: The most striking – and shocking – images". www.bbc.com . Retrieved 17 December 2019.
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  48. ^ Jones, Jonathan (12 April 2019). "'Turner gets his cobwebs blown away' – Ocean Star: Sean Scully review". The Guardian. ISSN 0261-3077. Retrieved 16 Dec 2019.
  49. ^ "Painter Sean Scully Is Planning a Securely Personal Exhibition in a Venice Church building That Volition Pay Tribute to His Lost Son". artnet News. 5 March 2019. Retrieved 16 December 2019.
  50. ^ "Reconciling Secular Art in Sacred Spaces". Hyperallergic. 20 July 2019. Retrieved 17 December 2019.
  51. ^ Danto, Arthur C. (2005). "Sean Scully". Unnatural Wonders: Essays from the Gap Between Art and Life. NY: Columbia University Press. p. 81. ISBN9780231545723.
  52. ^ Danto, Arthur C. (2005). "Sean Scully". Unnatural Wonders : Essays from the Gap Between Art and Life. NY: Columbia Academy Press. ISBN978-0-231-54572-3. OCLC 1023550658.
  53. ^ "GAC Honorary Awards -Banco Sabadell Foundation for artists and gallerists – Fundació Banc Sabadell". www.fundacionbancosabadell.com . Retrieved fourteen December 2019.
  54. ^ Spretnak, C. (22 Oct 2014). The Spiritual Dynamic in Modern Art: Art History Reconsidered, 1800 to the Present. Springer. ISBN978-1-137-34257-seven.
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  57. ^ "Sean Scully: 'Fatherhood has given my art a new charter of life'". Spectator Life. 3 October 2018. Retrieved fifteen December 2019.
  58. ^ "Sean Scully: World famous Irish gaelic artist and son of Inchicore". Independent.ie . Retrieved 17 December 2019.
  59. ^ Scully., Sean (2016). "Goldman Sachs". Inner: The Collected Writings and Selected Interviews of Sean Scully. p. 273. ISBN978-3-7757-4164-iv. OCLC 994772412.
  60. ^ Scully, Sean (2016). "Why Stripes?". Inner: The Collected Writings and Selected Interviews of Sean Scully. p. 95. ISBN978-three-7757-4164-iv. OCLC 994772412.
  61. ^ Scully, Sean (2016). "Fold". Inner: The Collected Writings and Selected Interviews of Sean Scully. p. 268. ISBN978-three-7757-4164-iv. OCLC 994772412.

Sources [edit]

  • Dorothy Walker (2002). Scully, Seán in Brian Lalor (Ed.), The Encyclopedia of Ireland. Dublin: Gill and Macmillan. ISBN 0-7171-3000-2.
  • Arthur C. Danto (2007). "Architectural Principles in the Art of Sean Scully", Border Crossings: A Mag of the Arts, vol. 26(iii), Baronial 2007, p. 62–67. ISSN 0831-2559.
  • Arthur C. Danto. (2005). "Sean Scully". Unnatural Wonders: Essays from the Gap Between Art and Life. NY: Columbia Academy Press. p. 81. ISBN 9780231545723.
  • Joan Marter (2011). "Sean Scully". Grove Encyclopedia of American Fine art. Oxford University Press. ISBN 978-0-19-533579-eight.
  • David Carrier (1994). The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980s. Penn State Press. 1994. ISBN 978-0-271-04297-8.
  • Donald Kuspit (2010). "Sacred Sadness: Sean Scully's Abstractions", Psychodrama: Mod Art every bit Grouping Therapy. London: Ziggurat. pp. 449–453. ISBN 9780956103895.
  • David Carrier (2008). A World Art History and Its Objects. Penn Land Press. 2008. ISBN 978-0-271-04579-five.
  • Sean Scully (2016). Inner: The Nerveless Writings and Selected Interviews of Sean Scully. ISBN 3-7757-4164-10.

External links [edit]

  • Sean Scully Website
  • 24 artworks by or after Sean Scully at the Art United kingdom of great britain and northern ireland site
  • Aosdána biographical note
  • Santa Cecilia Montserrat Sean Scully Art Space
  • Sean Scully: 'In that location are no certainties in my paintings' – video The Guardian, February 2011
  • Profile on Royal University of Arts Collections

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Source: https://en.wikipedia.org/wiki/Sean_Scully

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